Geisha
Carrara Marble · Bronze · Japanese Red Lacquer
Geisha
An image of composure and ceremony, where beauty becomes discipline and silence becomes architecture.
Geisha is built as an encounter: material, myth, process, and presence gathered into a work meant to be approached slowly.
Geisha is less a portrait than a threshold: poise, ritual, danger, ornament, and the private world behind the mask.
An image of composure and ceremony, where beauty becomes discipline and silence becomes architecture. In Mullins’ hands, the figure is not decoration. It is argument, invitation, memory, and theatre — a place where old stories become newly embodied.
The language of permanence.
Through carving, modeling, polishing, surface, bronze, stone, and symbolic detail, the work carries both physical gravity and narrative movement. It is the material record of thought becoming form.
Part of a larger sculptural language.
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