Martin Luther King Jr. Statue Unveiled
A trace in the public record: monument, ceremony, studio practice, cultural memory, and the civic life of art.
Read FeatureMonuments, mythology, public memory, and international artistic practice carried into newspapers, broadcasts, cultural journals, and civic record.
A living archive of features, broadcasts, cultural profiles, and public documentation.
A trace in the public record: monument, ceremony, studio practice, cultural memory, and the civic life of art.
Read FeatureA trace in the public record: monument, ceremony, studio practice, cultural memory, and the civic life of art.
Read FeatureA trace in the public record: monument, ceremony, studio practice, cultural memory, and the civic life of art.
Read FeatureA trace in the public record: monument, ceremony, studio practice, cultural memory, and the civic life of art.
Read FeatureA trace in the public record: monument, ceremony, studio practice, cultural memory, and the civic life of art.
Read FeatureA trace in the public record: monument, ceremony, studio practice, cultural memory, and the civic life of art.
Read FeatureA trace in the public record: monument, ceremony, studio practice, cultural memory, and the civic life of art.
Read FeatureA trace in the public record: monument, ceremony, studio practice, cultural memory, and the civic life of art.
Read FeatureFor public monuments, private commissions, exhibitions, acquisitions, press, speaking, or cultural partnerships, inquiries may be directed to the studio.
info@stanmullinsart.comEvery serious work begins as a conversation — a place, a memory, a myth, a life, a city, a question waiting for form.